This spring, it is hosting exhibitions of painters Vsevolod Demidov from Kazakhstan and Dilara Kaipova from Uzbekistan. Friends and family thought she was crazy. A few years ago it would have been hard to imagine queues to get into the National Museum of Fine Arts — but things are changing. Built with money from private investors, this 1,square-meter venue includes a Georgian restaurant, a coffee shop and a bar.
If it continues in this vein, Asanbay looks set to a contemporary art hub in Central Asia, an aspiration that Sulova embraces. Friends and family thought she was crazy. A few years ago it would have been hard to imagine queues to get into the National Museum of Fine Arts — but things are changing. But nowhere is the work of female curators and managers more apparent than in Kyrgyzstan, which has long been considered one of the most democratic countries in the region. Bermet Talant, who grew up in Bishkek, spoke to three of the Kyrgyz women who are driving this transformation. This trend was thrown into sharp relief at the first Central Asian forum of art managers held in Bishkek in November: Each of them is passionate about their work and adept at seeking out new opportunities. In recent years, Bishkek has seen new audiences, more exhibition space and eye-grabbing projects by local and foreign artists. Now she runs a a new project making big waves in the region: Built with money from private investors, this 1,square-meter venue includes a Georgian restaurant, a coffee shop and a bar. Tentieva remains just as passionate about her mission as when she began the job. The cultural spaces they curate are very different, but they share a common goal of popularising art. Located right in the centre of Bishkek in a renowned s building, their one-room gallery displays works of young, unknown painters next to the works of established artists like Rasul Kochkorbaev, Talant Ogobaev, and Khalida Shimova. Having grown up in a family of artists, Akmatkulova abandoned economics after doing a degree in the subject, dedicating herself to supporting local artists. The key task is to make its products attractive and work with the public. This spring, it is hosting exhibitions of painters Vsevolod Demidov from Kazakhstan and Dilara Kaipova from Uzbekistan. Besides a photo exhibition with shocking images of Bishkek disappearing under piles of plastic bags, she created a collection of reusable grocery bags. Thanks to her work, the institution holds a treasure trove of Kyrgyz and Russian art from the Soviet period and many traditional Kyrgyz handicrafts. Gallery M is the only place in the city that gives Kyrgyz painters a free venue for their works. During my last visit to Bishkek, the museum was the talk of the town. I had so many ideas. This was during an exhibition in memory of Kuljake Usubalieva, a former director of the museum. Besides contemporary art exhibitions and concerts, Asanbay also hosts corporate events. At night, Asanbay can be an electronic music club. By day it becomes an auditorium for a lecture on artificial intelligence. I remember marvelling at the different feelings it evokes in its different guises.
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