Professional expansion Jolie at the Cannes Film Festival After directing the documentary A Place in Time , which was distributed through the National Education Association ,  Jolie made her feature directorial debut with In the Land of Blood and Honey , a love story between a Serb soldier and a Bosniak prisoner, set during the —95 Bosnian War. In accordance with Lee Strasberg 's method acting , Jolie preferred to stay in character in between scenes during many of her early films, and as a result had gained a reputation for being difficult to deal with. Chicago Tribune critic Michael Phillips noted, "Jolie really shines in the calm before the storm, the scenes when one patronizing male authority figure after another belittles her at their peril.
Professional expansion Jolie at the Cannes Film Festival After directing the documentary A Place in Time , which was distributed through the National Education Association ,  Jolie made her feature directorial debut with In the Land of Blood and Honey , a love story between a Serb soldier and a Bosniak prisoner, set during the —95 Bosnian War. Their relationship during this time was less strained, with Jolie realizing that they were both "drama queens. Early work Jolie committed to acting professionally at the age of 16, but initially found it difficult to pass auditions, often being told that her demeanor was "too dark. She also served as producer under her Jolie Pas banner. An adaptation of the popular Tomb Raider videogames, the film required her to learn an English accent and undergo extensive martial arts training to play the archaeologist-adventurer Lara Croft. Terry Lawson of the Detroit Free Press concluded, "Jolie, while always delicious to look at, is simply and woefully miscast. Tomb Raider in war-torn Cambodia, an experience she later credited with having brought her a greater understanding of the world. Smith was the seventh-highest grossing picture of the year and remained Jolie's highest-grossing live-action film for the next decade. Jolie portrayed Wallace's second wife, Cornelia , a performance Lee Winfrey of The Philadelphia Inquirer considered a highlight of the film. While shooting Gia, she told her husband, Jonny Lee Miller , that she would not be able to phone him: She first visited the Harnas farm during production of the film, which features vultures rescued by the foundation. She first starred in the thriller Taking Lives as an FBI profiler summoned to help Montreal law enforcement hunt down a serial killer. She was so disappointed with the film that she did not audition again for a year. Her supporting role as Queen Olympias in Oliver Stone 's Alexander , about the life of Alexander the Great , was met with mixed reception, particularly concerning her Slavic accent. Her next film was Beyond Borders , in which she portrayed a socialite who joins an aid worker played by Clive Owen. The film received mixed reviews, but was generally lauded for the chemistry between the two leads; Star Tribune critic Colin Covert noted, "While the story feels haphazard, the movie gets by on gregarious charm, galloping energy and the stars' thermonuclear screen chemistry. Commercial success In , Jolie returned to major box office success with the action-comedy Mr. But peeling back layer upon layer of exquisite ennui reveals nothing but emptiness, sprinkled with stilted sentiments. She also won her first Screen Actors Guild Award. The film received mixed reviews; The Hollywood Reporter critic Kirk Honeycutt concluded, "Jolie plays a role that definitely feels like something she has already done, but she does add an unmistakable dash of excitement and glamour. The compound includes schools, roads, and a soy milk factory, all funded by Jolie. I think we all want justice and equality, a chance for a life with meaning. That's because she scowls even more sourly than [her co-stars] and is that rare female hacker who sits intently at her keyboard in a see-through top. Her home functions as the MJP field headquarters. Critics, however, dismissed it as a "vanity project," as part of an overall poor reception. In addition to directing the film, she co-wrote the screenplay with her longtime friend Loung Ung , whose memoirs about the regime's child labor camps served as its source material.
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