Or perhaps they'll just be pointless padding exercises that we'll have to endure. This is largely signalled via the use of flashbacks. Also, unlike the film, the series has set up a cat-and-mouse game between the Geckos and a ranger.
Also, unlike the film, the series has set up a cat-and-mouse game between the Geckos and a ranger. At least this means that the hours before Not Clooney and Not Tarantino reach the Titty Twister might actually have some purpose. Robert Rodriguez Without wanting to spoil anything for those who haven't seen the film, From Dusk Till Dawn wouldn't be many people's first choice of a TV series. However, he's a cop who keeps counting down to his retirement, so perhaps we shouldn't get too attached just yet. Or perhaps they'll just be pointless padding exercises that we'll have to endure. Even House of Cards and Game of Thrones are based on existing works. After all, the big shows of this year look set to be an Avengers spin-off, a Silence of the Lambs spin-off, a Batman spin-off, a Sleepy Hollow adaptation, a Fargo adaptation , a Breaking Bad spin-off , a Walking Dead spin-off and enough variations of NCIS to give you a nosebleed. Unless you can't remember what happened in the first half of the film because you only watched it for the sexy vampire battle at the end. Robert Rodriguez The performances, too, sit on a spectrum of acceptability. And then, when we get there, it'll be such a directionless, drawn-out spectacle of flashes and bangs that you may as well watch all the Transformers films back to back instead. Directed by Robert Rodriguez himself, it's more or less an elongated version of the film's first eight minutes. There are hints, however subtle, that the series aspires to be bigger than the film. Originality, it seems, is on the out. On the basis of the first episode, which appeared on Netflix yesterday and aired on the El Rey network in the US, it's iffy. And, as fun as it may eventually turn out to be, From Dusk till Dawn doesn't offer much encouragement that things will change. Admittedly that didn't stop two shoestring sequels from being made — which we'll ignore on the basis that nobody has ever seen them — but a television series? And this seems to be the biggest problem with the series. The Gecko brothers — here played by Not George Clooney and Not Quentin Tarantino — have robbed a bank and are heading to Mexico, but first they need to stop off at a liquor store. Then there's Don Johnson's turn as a cop, which is easily the best aspect of the whole thing so far. With overlapping story arcs and characters who don't exist just to kick vampires in the head? That might be because Richie Gecko is shaping up to be the show's fulcrum, or perhaps it's just because everyone is a better actor than Quentin Tarantino. There's a worry that US drama is aping Hollywood by slipping into a morass of remakes and spin-offs. Perhaps by the end of the series, the flashbacks will help deepen the characters and contextualise their motives. Stranger premises have yielded results, but can a From Dusk Till Dawn series really pull this transformation off? There's talking, and talking, and talking, and talking, and then there's screaming and blood and all sorts of unpleasant weirdness, and then it ends.
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